Members’ Presentations: Psychoanalysis and Fiction (Part II) at Après-Coup

MEMBERS’ PRESENTATIONS: Psychoanalysis and Fiction (Part II) Saturday,

September 14, 2019 10:30 am – 1:00 pm  The School of Visual Arts
136 West 21st Street, New York, NY
Peter Gillespie Toward a New Political Fiction: Psychoanalysis and Neoliberalism
Salvatore F. Guido Fiction as Testimony: Psychoanalysis in a Destitute Time
Ona Nierenberg On “Constructions in Analysis” and Psychoanalytic Truth

Peter Gillespie is a psychoanalyst in private practice in Brooklyn, a supervisor and faculty member of Washington Square Institute, an Continue reading Members’ Presentations: Psychoanalysis and Fiction (Part II) at Après-Coup

Mexico’s Little-Known Attempt to Save Freud From the Nazis

Click Here to Read: Mexico’s Little-Known Attempt to Save Freud From the Nazis: Had the campaign to bring Sigmund Freud to Mexico succeeded, the imperiled psychoanalyst would have found himself living among the world’s foremost artists and intellectuals By Rubén Gallo on the MIT Press Reader website.

Image: Mexican currency postcard.  Public Domain via Wikimedia Commons.

Almodovar Review from Cannes Film Festival

Deadline  by By Nancy Tartaglione
At the Cannes Film Festival :  May 25th Other major winners include Antonio Banderas who plays a sort of alter ego to Pedro Almodóvar in the Spanish director’s Pain And Glory. Banderas said on stage, “You have no idea how much I’d like to be able to speak French and at the same time I want to speak Spanish so I’m going to try to do a paella of both… When I walked up the red carpet I was asked how much time it took me to get here… it took 40 years.” He added, “There is no mystery” that the character he plays is Almodovar who he met 40 years ago. “We did eight films together. I respect him, I love him. He is my mentor. He gave me so much that this prize is dedicated to him.” Banderas concluded with, “There is pain and glory but the best is yet to come.”

Click Here to Purchase: Pedro Almodóvar: A Cinema of Desire, Passion and Compulsion edited by Arlene Kramer Richards, Lucille Spira with Merle Molofsky.