Psychosis? Lacan on Untrigged Psychosis, Addiction and Other Non-Neurotic Phenomena at IPTAR

ON THE VERGE: MADNESS IN THE PSYCHOANALYTIC ENCOUNTER
IPTAR 1651 THIRD AVE, SUITE 205
PSYCHOSIS? LACAN ON UNTRIGGERED PSYCHOSIS, ADDICTION, AND OTHER NON-NEUROTIC PHENOMENA
SUNDAY, APRIL 7, 2019, 9am – 4pm
Panelists: Marcus Coelen, PhD (Introduction), María Cristina Aguirre, PhD,
David Lichtenstein, PhD, Yael Baldwin, PhD (Jamieson Webster, PhD and Anna Fishzon, PhD, moderators)
General admission: $150, with 5 CE credits Candidates and Students: $40, with 5 CE credits

REGISTER AT:

April 7th – On the Verge – Register Now!

No other post-Freudian theorist has taken a more radical, almost Continue reading Psychosis? Lacan on Untrigged Psychosis, Addiction and Other Non-Neurotic Phenomena at IPTAR

Neuropsychoanalysis The Mind of the Artist at NYPSI

A Two-Day Conference jointly sponsored by the Scientific Program Committee and The Pfeffer Center for Neuropsychoanalysis The Mind of the Artist October 26 – 27, 2018 New York Psychoanalytic Society & Institute
247 E. 82nd Street, New York City

Speaking from a theoretical perspective, Friday evening’s panelists will consider the relation between artistic creativity and psychoanalytic treatment, the significance (if any) of the high incidence of affective disorders among literary and visual artists, the paradigm of art as reparation of early object relations, and the like. The relevance of Freud’s notion of sublimation to more recent explanations of the intra- and inter-psychic valuations of imaginative expression and the relationship of imagination to the self, to mechanisms of defense and agency, will be explored. Saturday morning’s session will be devoted to a discussion with literary and visual artists on the notion of art as play, the neurobiological aims of that instinct in the making of meaning, the relation of id and ego function to unconscious fantasy and its expression in art, and how artistic expression bears upon our neuroscientific understanding of pleasure and reward. A plenary session by Nobel Laureate Eric Kandel will be offered in the afternoon to be followed by a wrap-up Q & A with all participants. Continue reading Neuropsychoanalysis The Mind of the Artist at NYPSI

The City of the Future: Psychoanalysis and the Social Link in Milan with Après-Coup

Après-Coup Psychoanalytic Association, La Biblioteca Sormani e l’associazione dipoesia sono lieti di invitare al convegno La città futura

René Magritte, La boîte de Pandore (Pandora’s Box), 1951. Oil on canvas.
Yale University Art Gallery. Gift of Dr. and Mrs.. John A. Cook, B.A. 1932.
COLLOQUIUM

La Città futura: Psicoanalisi e legame sociale
The City of the Future: Psychoanalysis and the Social Link Continue reading The City of the Future: Psychoanalysis and the Social Link in Milan with Après-Coup

POETRY MONDAY: September 3, 2018

Good morning, everyone – and welcome back. You probably find it as hard to believe as I do that this summer, the summer we barely had or barely experienced, has come to an end. The kids are back at school or off to college for the first or another time, and we may be ready to think again about what gives us pleasure. One such thing is poetry.

Our page this month was to be a tribute to Donald Hall – the living Donald Hall – but we’ve lost him at 89. Another of the great generation of American poets gone, along with a favorite and gifted student of his, Tom Clark, who died after being struck by a car in Berkeley, California.

Like all poets, Hall was concerned with love and death, and his latest book confirms this. A Carnival of Losses: Notes Nearing Ninety, came out in June of this year, a memoir that reads like a long conversation we might have had with him in the New Hampshire house he inherited from his family and where he lived with his wife, poet Jane Kenyon, who predeceased him and for whom he was still mourning. His Essays after Eighty, published in 2014, one critic called a memento mori. Together, the two books comprise as much of his autobiography as we have not been able to gather from his poems. What I found saddest was that he had decided he could now write only prose. Although he has always been a fine prose stylist, I missed those Donald Hall poems and wanted more.

I hope you’ll forgive me if I share one of my own, from my book, Rehearsal (IPBooks, 2018):

Letter to Donald Hall

I’ve hear you read more than once.
I have most of your books, signed. Continue reading POETRY MONDAY: September 3, 2018